Saints and
Sacred Matter
Du M ba rton oa k S by z a n t i n e S y M p oSi a a n D Col lo qu i a
Series editor
Margaret Mullett
editorial board
John Dufy
John Haldon
ioli kalavrezou
Saints and Sacred Matter
he Cult of relics
in byzantium and beyond
Edited by
Cynthia Hahn and Holger A. Klein
Du M b a rto n oa k S r e S e a rC H l i b r a ry a n D C o l l e C t io n
© 2015 Dumbarton oaks research library and Collection
trustees for Harvard university
Washington, D.C.
all rights reserved.
printed in the united States of america.
L i br a r y of Cong r e s s C ata l o g i ng -i n-Pu bl ic at ion Data
Saints and sacred matter: the cult of relics in byzantium and beyond /
edited by Cynthia Hahn and Holger a. klein. — First [edition].
pages cm. — (Dumbarton oaks byzantine symposia and colloquia)
includes bibliographical references and index.
isbn 978-0-88402-406-4 (alk. paper)
1. relics—byzantine empire.
2. byzantine empire—religious life and customs.
i. Hahn, Cynthia J. (Cynthia Jean), editor.
ii. klein, Holger a., editor.
bv890.s24 2015
235�.2—dc23
2015000615
managing editor: Joel kalvesmaki
Text design and composition: Melissa tandysh
www.doaks.org/publications
contents
Acknowledgments
vii
introduction
Cynthia Hahn and Holger A. Klein
1
1.
relic, icon, and architecture
he Material articulation of the Holy in east Christian art
Jaś Elsner
13
2.
relics
an evolving tradition in latin Christianity
Julia M. H. Smith
41
3.
Jewish Veneration of the “Special Dead” in late antiquity and beyond
R a‘anan Boustan
61
4.
Medieval Muslim Martyrs to the plague
Venerating the Companions of Muhammad in the Jordan Valley
Nancy Khalek
83
5. Figuring relics
a poetics of enshrinement
Patricia Cox Miller
99
6.
liturgical time and Holy land reliquaries in early byzantium
Derek Krueger
111
7. Sacred installations
he Material Conditions of relic Collections in late antique Churches
Ann Marie Yasin
133
8.
“Gr ant us to Share a place and lot with them”
relics and the byzantine Church building (9th–15th Centuries)
Vasileios Marinis and Robert Ousterhout
153
9. Spolia as relics? relics as Spoils?
he Meaning and Functions of Spolia in Western Medieval reliquaries
Hiltrud Westermann-Angerhausen
173
10. “the Sting of Death is the thorn,
but the Circle of the Crown is Victory over Death”
he Making of the Crown of horns
Cynthia Hahn
193
11.
the relics of new Saints
Deposition, translation, and Veneration in Middle and late byzantium
Alice-Mary Talbot
215
12. Materiality and the Sacred
byzantine reliquaries and the rhetoric of enshrinement
Holger A. Klein
231
13.
byzantium and beyond
relics of the infancy of Christ
Jannic Dur and
253
14.
the incarnate Shrine
Shi‘ism and the Cult of kingship in early Safavid iran
Kishwar Rizvi
289
15.
the relics of Scholarship
on the production, reproduction, and interpretation of Hallowed remains
in late antiquity, byzantium, early islam, and the Medieval West
Anthony Cutler
309
Abbreviations
347
About the Authors
351
Index
355
chapter eight
“Grant us to Share
a place and lot with them”
relics and the byzantine Church building
(9th–15th Centuries)
Vasileios Marinis and Robert Ousterhout
Στὴ μνήμη τοῦ Τίτου Παπαμαστοράκη
I
n t h is ch a p t e r w e e x a m i n e t h e set t i ng of r e l ics w i t h i n ch u rch es
of the middle and late byzantine periods, and we attempt to come to grips with how the presence of
holy objects related to the form and meaning of medieval byzantine ecclesiastical architecture. it is
oten assumed that formal functionalism is a guiding principle of historic architectures—that the presence of special objects or the conduct of special ceremonies would be relected in the building. if architectural design is responsive, then we might expect the creation of distinctive spaces that would both
signal and enshrine a sacred presence. an examination of the architectural setting of relics in byzantine
churches ater iconoclasm suggests otherwise. While the relics may be invoked or engaged through
special rituals, by and large the shape of the byzantine church remains relatively constant.1 Similarly,
we do not ind a standardization in the placement of relics, and in both the middle and late byzantine
periods, we ind relics installed in almost all spaces within the byzantine church. in what follows, we
examine the archaeological and textual evidence for the placement of relics, as well as what this might
teach us about notions of sanctity associated with venerated objects and buildings. in investigating
the accommodation of relics inside a church building one needs to take into account a wide range of
practical variables. portable reliquaries inhabited sacred space in ways essentially diferent from how
tombs of saints or other stationary relics did. he former could have been moved around (inside the
church or to a diferent location), locked up in a cabinet, exposed for ad hoc veneration, or even stolen.2
relics also varied greatly in size, from a sliver of wood to a body in a coin. While tombs were ixed
and (in theory) immovable, their location was dictated by a variety of factors that included canonical
regulations, the status of the person at the time of death, and desired access to the tomb. Moreover, a
in many ways the post-iconoclastic relationship of relics and architecture difers from the late antique: see chapter 7 by yasin,
above.
1
2 as, for example, happened to the head of a certain St. anastasia in Constantinople, stolen from the church of St. luke: M. ehrhard,
“le livre de pèlerin d’antoine de novgorod,” Romania 58 (1932): 60; r. Janin, La géographie ecclésiastique de l’empire byzantin, part 1,
Le siège de Constantinople et le patriarcat œcuménique, vol. 3, Les églises et les monastères (paris, 1969), 311.
153
church or chapel might have been conceived and
even designed to house a relic, but more oten it
acquired relics only later. Finally, there is the loss
of archaeological evidence, especially from Constantinople, coupled with the byzantine propensity for descriptive vagueness and inconsistency.
Such common designations as theke or soros had
multiple meanings and could have referred to a
variety of situations and locales, including a cofin, a tomb, the location of the tomb or the relics,
a whole body, or just a fragment of a bone. as a
result, it is oten diicult to distinguish between
permanent and temporary installations.
the most common setting for relics in a
byzantine church was at the altar. relics of martyrs played a fundamental role in the rite of consecration (καθιέρωσις or ἐγκαίνια) from a very
early date.3 he Second Council of nicaea (787)
conclusively stipulated that all church altars
must be consecrated with remains of martyrs.4
according to the rubrics of middle byzantine
Constantinopolitan euchologia,5 in preparation
on the topic of relics and the altar see, selectively,
F. Wieland, Altar und Altargrab der christlichen Kirchen im 4.
Jahrhundert: Neue Studien über den Altar der altchristlichen
Liturgie (leipzig, 1912); a. Grabar, Martyrium: Recherches sur le
culte des reliques et l’art chrétien antique (paris, 1943), esp. 1:37–
44, 384–93; F. W. Deichmann, “Märtyrerbasilika, Martyrion,
Memoria und altargrab,” MDAIRA 77 (1970): 144–69; u.
peschlow, “altar und reliquie: Form und nutzung des frühbyzantinische reliquienaltars in konstantinopel,” in Architektur
und Liturgie: Akten des Kolloquiums vom 25. bis 27. Juli 2003 in
Greifswald, ed. M. altripp and C. nauerth (Wiesbaden, 2006),
175–202; a. M. yasin, Saints and Church Spaces in the Late
Antique Mediterranean: Architecture, Cult, and Community
(Cambridge, 2009), 151–209; V. Marinis, Architecture and
Ritual in the Churches of Constantinople, Ninth to Fiteenth
Centuries (Cambridge, 2014), 28–30.
3
Ὅσοι οὖν σεπτοὶ ναοὶ καθιερώθησαν ἐκτὸς ἁγίων λειψάνων
μαρτύρων, ὁρίζομεν ἐν αὐτοῖς κατάθεσιν γίνεσθαι λειψάνων μετὰ
τῆς συνήθους εὐχῆς. Ὁ δὲ ἄνευ ἁγίων λειψάνων καθιερῶν ναόν,
καθαιρείσθω, ὡς παραβεβηκὼς τὰς ἐκκλησιαστικὰς παραδόσεις:
G. a. ralles and M. potles, Σύνταγμα τῶν θείων καὶ ἱερῶν
κανόνων (athens, 1852), 2:581–82. his speciic canon was a
response to the alleged practice of iconoclasts to consecrate
churches without relics. See the useful summary in J. F. Haldon
and l. brubaker, Byzantium in the Iconoclast Era, c. 680–850: A
History (Cambridge, 2011), 32–40.
4
for the service of the church’s consecration the
oiciating archbishop selected three “portions”
of relics and deposited them in a reliquary, which
could be of silver, copper, or stone.6 he evening
before the consecration, the archbishop took the
reliquary to a nearby church, placed it on a paten,
and covered it with the asterisk and the small aer,
a liturgical veil—an action very much like that
performed on the amnos, the central portion of
the eucharistic bread, at the end of the prothesis
service. Following a vigil and the ritual preparation of the actual altar, the archbishop, accompanied by clergy and laity, carried the relics to
the new church. Subsequently, the reliquary was
inserted in a cavity, either under the altar or in
the altar table itself,7 and was sealed with myron
(perfumed oil), wax, plaster, or even lead.
he surviving archaeological evidence corresponds to the liturgical rubrics. at the Chora
Monastery in Constantinople, the 1957 excavations in the bema uncovered the foundations of
the altar and its ciborium. beneath the loor level
was a large marble-lined loculus and against its
eastern side a smaller marble-lined box, in which
an undisturbed lead reliquary was found.8 its discovery was the cause of much excitement at the
time. Work was halted, and museum authorities
were called in for the oicial opening of the reliquary, which was documented by the expedition
photographer. unfortunately the box was corroded and had to be drilled open. inside were
a few fragments of wood and bone, which was
something of a letdown for the archaeologists
Manuscript of the Constantinopolitan euchology: Grottaferrata
Γ.β.Ι, alias of Cardinal bessarion,” BollGrott, ser. 4, 4 (2007):
175–96. For the argument that the consecration of the altar and
the deposition of the relics constitute two distinct rites see V.
permjakovs, “‘Make his the place Where your Glory Dwells’:
origins and evolution of the byzantine rite for the Consecration
of a Church” (ph.D. diss., university of notre Dame, 2012).
6
pG 155:332.
5 M. arranz, L’eucologio constantinopolitano agli inizi del secolo
arranz, L’eucologio, 227. he rubric pertaining to the second location (ἐν τῷ μέσῳ τοῦ βωμοῦ) is unclear and might mean
either the altar table itself or on the eastern side of the foot of
the altar table.
XI: Hagismatarion & Archieratikon (Rituale & Pontiicale) con
l’aggiunta del Leitourgikon (Messale) (rome, 1996), 227–51. Cf.
the rite in the barberini euchologion (second half of the eighth
century) in e. Velkovska and S. parenti, eds., Euchologii Barberini
gr. 336, 3rd ed. (omsk, 2011), 367–76. one of arranz’s main witnesses, Grottaferrata Γ.β.Ι, actually dates to the thirteenth century; see S. parenti and e. Velkovska, “a hirteenth Century
8 D. oates, “a Summary report on the excavations of the
byzantine institute in the kariye Camii: 1957 and 1958,” DOP 14
(1960): 228. additional information from the 1957 notebook
of George H. Forsyth, Jr. (unpublished). See also Kariye: From
heodore Metochites to homas Whittemore; One Monument, Two
Monumental Personalities, ed. H. a. klein, r. ousterhout, and b.
pitarakis (istanbul, 2007), 145, no. 31, for illustration.
154
7
Vasileios Marinis and Robert Ousterhout
after the difficulty of opening the box. Here
the larger loculus likely dated from the middle
byzantine church, while the smaller loculus and
the reliquary came from heodore Metochites’
rededication of the Chora in 1321 (ig. 8.1). in
the katholikon of the eleventh-century Daphni
Monastery in attica, the reliquary receptacle
was located in the plinth between the two eastern feet of the altar table.9 in the south church
of the pantokrator Monastery in Constantinople
(twelfth century) a marble-lined rectangular
receptacle was located near the site of the altar.
a marble reliquary excavated in a debris layer
nearby also might have come from there.10 in the
late thirteenth-century church of St. John tou
libos, the excavators discovered in the center of
the apse a trapezoid cutting 1 m long and 30 cm
deep, evidently for the deposition of the enkainia
relics.11 Finally, an altar table discovered in the
apse of kalenderhane Camii had a rectangular
hole in the middle for the insertion of the reliquary.12 installations similar to those of churches
were found in chapels. he western gallery parekklesia in the heotokos tou libos, ca. 907, preserved marble altar bases with cavities for the
enkainia reliquaries (ig. 8.2).13 Here, as well as
in the middle of the main apse of the church, we
ind a cruciform sinking in the lower apse wall
for the insertion of a cross behind the altar. he
latter may not have been for relics.14 From euchologia that contain the rites of stauropegial monasteries we learn that during the consecration, a
wooden cross with the names of the patriarch,
9 a. k. orlandos, “Νεώτερα εὑρήματα εἰς τὴν μονὴν Δαφνίου,”
Ἀρχ.Βυζ.Μνημ.Ἑλ. 8 (1955–1956): 76–77.
10 a. H. S. Megaw, “notes on recent Work of the byzantine
institute in istanbul,” DOP 17 (1963): 339, 348, igs. 1, 10.
t. Macridy, “he Monastery of lips (Fenari isa Camii) and
the burials of the palaeologi,” DOP 18 (1964): 266.
11
C. l. Striker and D. kuban, Kalenderhane in Istanbul
(Mainz, 1997), 108 and pl. 125; peschlow, “altar und reliquie,”
186. peschlow dated this to the latin period because the loculus
for the relic is on the altar table itself, something found “only
in the Western church.” yet rubrics in byzantine euchologia
suggest that the reliquary could be placed in the middle of the
altar table: see arranz, L’eucologio, 227; J. Goar, Euchologion sive
Rituale Graecorum (Venice, 1730), 663.
12
13 Macridy, “Monastery of lips,” 260 and igs. 25–26.
V. Marinis, “Παρατηρήσεις για την Λειτουργία και την
Αρχιτεκτονική στην Μονή του Λιβός στην Κωνσταντινούπολη,”
in Βυζαντινή Αρχιτεκτονική και Λατρευτική Πράξη, ed. e. Chatzetryphonos and F. karayianni (hessalonike, 2006), 57–62.
15
16
See, for example, ralles and potles, Σύνταγμα, 2:484–85.
according to Constantine, bishop of tios (ca. 800), the
saint’s coin was placed under the altar and had a sizeable access
hole. F. Halkin, Euphémie de Chalcédoine: Légendes byzantines
(brussels, 1965), 87.
17
18 . . . αὐτὸς Δέσποτα πανάγιε ταῖς αὐτῶν ἱκεσίαις παρακλήθητι
καὶ χάρισαι ἡμῖν τοῖς ἀναξίοις δούλοις μέρος καὶ κλῆρον ἔχειν
μετ᾽αὐτῶν ἵνα μιμηταὶ αὐτῶν γενόμενοι καταξιωθῶμεν καὶ τῶν
ἀποκειμένων αὐτοῖς ἀγαθῶν: arranz, L’eucologio, 240. all translations are by V. Marinis, unless otherwise indicated.
Κύριε ὁ Θεὸς ἡμῶν, ὁ καὶ ταύτην τὴν δόξαν τοῖς ὑπὲρ σοῦ
ἀθλήσασιν ἁγίοις μάρτυσι δωρησάμενος το σπείρεσθαι ἐν πάσῃ
τῇ γῇ τὰ λείψανα αὐτῶν ἐν τοῖς ἁγίοις οἴκοις σου καὶ καρποὺς
ἰαμάτων βλαστάνειν . . . , ibid., 244.
19
as has been suggested by n. teteriatnikov, “relics in the
Walls, pillars, and Columns of byzantine Churches,” in Eastern
Christian Relics, ed. a. lidov (Moscow, 2003), 77–78.
14
the local bishop, the emperor, and the date of the
consecration was placed “behind the holy altar”
or “in the middle of the conch.”15
relics used in consecrations of churches were
not objects of devotion. access to the sanctuary
was restricted,16 and the reliquary would have
been small, sealed, and out of reach. he relics
of euphemia in her martyrium near the Hippodrome, before they were thrown into the sea by
emperor leo iii,17 were a rare exception showing that in general these reliquaries were thought
to shelter unseen mediators, a role made evident
in the prayers of the consecration rite. he archbishop beseeches God to accept “[the martyrs’]
exhortations and grant us, undeserving servants,
to share a place and lot with them, so that we
become imitators of them and become worthy
of the blessings reserved for them.”18 later in the
ceremony, the archbishop again appeals to God
who “also gited this glory to those who contested for you, namely to sow all over the earth
their relics inside your holy churches and sprout
fruits of healings.”19 Canonical and liturgical
regulations reiterated that the relics were absolutely essential in consecrating a church. yet the
ritual acts of the enkainia add another unspoken dimension to the role of relics. he reliquary
was treated in a manner identical to that of the
amnos and carried into the church in a procession reminiscent of the Great entrance. hus the
relics became a semeion, a sign of the lord, the
martyrs’ sacriice being a relection, repetition,
and imitation of Christ’s sacriice. as such, relics
made and continued to make the church holy.
“Grant Us to Share a Place and Lot with Them”
155
Fig. 8.1
istanbul, kariye Camii
(Monastery of the Chora).
excavation of the loculi
beneath the bema, looking
east, 1957 (photo: Caroll
Wales, pH.bz.0181991.0618, Caroll Wales
photograph Collection,
image Collections and
Fieldwork archives,
Dumbarton oaks, trustees
for Harvard university,
Washington, DC)
Fig. 8.2
istanbul, Fenarı İsa
Camii (Monastery of the
heotokos tou libos),
north church, western
gallery parekklesion. altar
base, looking east (photo:
byzantine institute,
MS.bz.004-H59.439,
he byzantine institute
and Dumbarton oaks
Fieldwork records and
papers, image Collections
and Fieldwork archives,
Dumbarton oaks, trustees
for Harvard university,
Washington, DC)
156
Vasileios Marinis and Robert Ousterhout
Symeon, archbishop of hessalonike (d. 1429),
clariied this in his commentary on the sacrament of the consecration:
because it is not customary to execute the
consecration without relics of martyrs or holy
saints, since the martyrs are the foundations
of the Church, built upon the foundation of
the Savior. and in the church building [the
martyrs] should be placed under the altar,
because this is the Church, and the throne of
God, and the tomb of Christ. . . . and the relics are placed [the night before] in a church
because they are sanctiied and members of
Christ and they are sacriices ofered for Him.
and they are placed on a most holy paten
because they partake of the same veneration
with the lord, since they were persecuted
for Him. and they are put on a consecrated
altar because they died with Christ and
stand beside the divine throne of His glory.
it is because of this that the archbishop lits
them atop his head, as if venerating the divine
mysteries themselves, the body and blood of
the lord.20
While the consecration relics did not igure
in public or private veneration, other relics did,
and the politics of control, of withholding and
revealing, become important in their architectural setting. Movable, small-scale reliquaries
were deposited in parts of the church and subsidiary structures where access was tightly controlled, mainly for safekeeping. byzantines had
an exceedingly tactile and possessive relationship with relics. When St. nikon ho Metanoeite
died, the people, “desiring to show the heat and
Οὐδὲ γὰρ θέμις δίχα λειψάνων μαρτυρικῶν ἢ ὁσίων ἁγίων
καθιέρωσιν ἐνεργεῖν, ὅτι θεμέλιοι τῆς Ἐκκλησίας εἰσὶν οἱ
μάρτυρες, ἐπὶ τῷ θεμελίῳ τοῦ Σωτῆρος ἐποικοδομηθέντες· καὶ
ἐν τῇ ἐκκλησίᾳ δέον τούτους ὑπὸ τὸ θυσιαστήριον εἶναι, ἐπεὶ
καὶ τοῦτο ἡ Ἐκκλησία, ἐπεὶ καὶ θρόνος Θεοῦ ἐστι καὶ μνῆμα
Χριστοῦ τοῦ Θεοῦ . . . Τὰ λείψανα δὲ προαποτίθεται εἰς ναόν,
ὅτι ἡγιασμένα καὶ μέλη Χριστοῦ καὶ θυσιαστήρια ὡς τεθυμένα
ὑπὲρ αὐτοῦ. Καὶ εἰς ἱερώτατον ἐμβάλονται δίσκον, ὅτι τῆς ἴσης
μετέχουσι τῷ Δεσπότῃ τιμῆς, ὑπὲρ αὐτοῦ διηγωνισμένοι. Καὶ ἐπὶ
καθιερωμένης τραπέζης τίθενται, ἐπεὶ συναπέθανον Χριστῷ, καὶ
τῷ θείῳ τῆς αὐτοῦ δόξης θρόνῳ τυγχάνουσι παριστάμενοι. Διὰ
τοῦτο καὶ ἐπὶ κεφαλῆς μετὰ τοῦ δίσκου ὁ ἀρχιερεὺς αἷρει ταῦτα, ὡς
αὐτὰ δὴ τὰ θεῖα μυστήρια τὸ τοῦ Δεσπότου σῶμα καὶ αἷμα τιμῶν,
pG 155:320–22. Cf. M.-H. Congourdeau, Nicolas Cabasilas: La
vie en Christ (paris, 1990), 2:32–34.
20
fervor of their faith,” literally attacked the body:
“and one hastened to carry away something
from the squalid locks on the blessed one’s head,
another something from the hairs in his beard,
still another a patch from his old cloak and his
goatskin outer garment.”21 hus most reliquaries
were kept under lock and key in safe locations and
ofered for public veneration only on occasion.
according to the sources, reliquaries were
kept inside the bema, in chapels, and in skeuophylakia, which could be inside or outside the
church proper. on some occasions the Book of
Ceremonies instructed that the reliquary (or
reliquaries) of the true Cross be taken out of
the Great palace skeuophylakion and presented
for veneration in a church in the palace and, for
the general public, in Hagia Sophia.22 antony
of novgorod reported in ca. 1200 that many
relics were still in the skeuophylakion of Hagia
Sophia.23 We also hear of various relics kept “in
the bema.” When Constantine Vii had the relics of St. Gregory of nazianzos “returned” to
Constantinople, ca. 950, they were deposited
in the church of the Holy apostles inside the
sanctuary, in an “oblong rectangular sarcophagus of ruddy color,” opposite the tomb of John
Chrysostom, on the south side of the bema.24
21 text and translation in D. Sullivan, he Life of Saint Nikon:
Text, Translation, and Commentary (brookline, Ma, 1987),
163–65. Such behavior had very early precedents: in the funerals of both Hypatios, abbot of ruinianai in Constantinople
(d. 446), and Daniel the Stylite (d. 493) the crowd attempted to
get contact relics from the body of the saint: M. kaplan, “De la
depouille à la relique: Formation du culte des saints à byzance
du Ve au Xiie siècle,” in Les reliques: Objets, cultes, symboles, ed.
e. bozóky and a.-M. Helvétius (turnhout, 1999), 19–20; M.
kaplan, “l’ensevelissement des saints: rituel de création des
reliques et sanctiication à byzance à travers les sources hagiographiques (Ve–Xiie siècles),” TM 14 (2002): 319–22. on the
topic of the byzantines’ tactile relationship with the sacred see
V. Marinis, “piety, barbarism, and the Senses in byzantium,” in
Sensational Religion: Sensory Cultures in Material Practice, ed.
S. promey (new Haven, 2014), 321–40.
J. J. reiske, ed., Constantini Porphyrogeniti imperatoris
de cerimoniis aulae Byzantinae libri duo (bonn, 1829), 538–41,
549–50. For these ceremonies see H. a. klein, “Constantine,
Helena, and the Cult of the true Cross in Constantinople,” in
Byzance et les reliques du Christ (paris, 2004), 48–54.
22
23 ehrhard, “antoine de novgorod” (n. 2 above), 49–50. See
also J. Wortley, “relics and the Great Church,” BZ 99 (2006):
638–39; r. F. tat, he Communion, hanksgiving, and Conclud
ing Rites (rome, 2008), 518–22.
24 b. Flusin, “l’empereur et le théologien: À propos du retour
des réliques de Grégoire de nazianze,” in Studies in Honor of
“Grant Us to Share a Place and Lot with Them”
157
was in the bema of St. George at Mangana.26
antony of novgorod reported that the “clothes
of the apostles” were inside a chest behind the
main altar of that church.27 and in the late
byzantine period the robe and other clothing of the heotokos were inside a stone casket
bound with iron bands that sat on the altar of
the blachernai.28 it is also possible that some reliquaries were stored in cabinet-like structures in
the southern apsidal room, now usually called
the diakonikon, along with sacred vessels and
vestments. here is some evidence of this in the
diakonikon of the south church at pantokrator,
where a niche in the south wall seems to have
been outitted with marble shelves and may have
originally been closed by a door (ig. 8.3).29
Subsidiary chapels, that is, chapels inside,
adjacent to, or near a main church, were also a
common place for storing reliquaries.30 in contrast to the english word chapel, which is vague
and oftentimes implies an independent, freestanding structure, the various terms martyria,
eukteria, propheteia, or simply oikoi normally
refer to subsidiary structures. to these terms the
synaxaria and other sources frequently add the
words “near” (πλησίον) or “inside” (ἔνδον, ἔνδοθεν)
and the name of the main church or monastery
with which they were associated.31 From the vita
of Stephen the younger we learn that ater the
saint’s death, in 764, part of his head was taken
to the Monastery ta Diou in Constantinople,
placed in a reliquary, and hidden inside the sanctuary of the “right chapel” of the monastery
dedicated to the protomartyr Stephen.32 the
Majeska, Russian Travelers, 366, 370. See also S. brock, “a
Medieval armenian pilgrim’s Description of Constantinople,”
REArm 4 (1967): 87.
26
Fig. 8.3
istanbul, zeyrek Camii
(photo: Mehmet tunay,
pH.bz.001-95000064,
black and White Mounted
photograph Collection,
image Collections and
Fieldwork archives,
Dumbarton oaks, trustees
for Harvard university,
Washington, DC)
at the pantokrator Monastery in Constantinople, the jar or jars in which Christ had changed
water into wine were kept in the bema of the
katholikon.25 he head of the apostle andrew
27
ehrhard, “antoine de novgorod,” 59.
28
Majeska, Russian Travelers, 333–37.
29 Megaw, “recent Work,” 340, and ig. a.
30 For subsidiary chapels in byzantium see G. babić, Les cha
Cyril Mango, ed. i. Ševčenko and i. Hutter (Stuttgart, 1998),
137–53; G. Downey, “nikolaos Mesarites: Description of the
Church of the Holy apostles in Constantinople,” TAPS 47,
no. 6 (1957): 890, 915 (= 38.4).
25 G. p. Majeska, Russian Travelers to Constantinople in the
Fourteenth and Fiteenth Centuries (Washington, DC, 1984),
293; S. brock, “rabban Ṣauma à Constantinople (1287),” in
Mémorial Mgr Gabriel KhouriSarkis (louvain, 1969), 246, 250.
158
pelles annexes des églises byzantines: Fonction liturgique et pro
grammes iconographiques (paris, 1969), esp. 33–65; S. Ćurčić,
“architectural Signiicance of Subsidiary Chapels in Middle
byzantine Churches,” JSAH 36 (1977): 95–110; Marinis,
Architecture and Ritual, 77–87. See also below for the use of
chapels for the placement of tombs of saints.
See, for example, Synaxarium CP, 21 october, 12, 25, 27
June, 2 September. See also babić, Les chapelles annexes, 33–36.
31
32 M.-F. auzépy, La Vie d’ Étienne le Jeune par Étienne le
Diacre (aldershot, 1997), 173.
Vasileios Marinis and Robert Ousterhout
Book of Ceremonies prescribes that the emperors venerate the head of Saint John the baptist
in a chapel southeast of the Stoudios basilica.33
according to the late thirteenth-century typikon
of the Monastery tou libos, the relics of Saint
irene were located “in the chapel near the old
church,” probably the northeastern exterior chapel of the heotokos church.34 in the monastery
of heotokos panachrantos, the head of St. basil
of Caesarea was kept in a chapel, probably dedicated to the hree Hierarchs.35
these reliquaries were offered for veneration only on certain days or exceptional occasions throughout the year. he synaxarion of the
evergetis Monastery showcases such practices
in the rubrics for the feast of the exaltation of
the Holy Cross on 14 September. on the eve of
the feast the appointed priest, escorted by the
sacristan and a deacon, ascended to the skeuophylakion. Having put on their vestments, they
brought down the venerable cross and deposited
it in the sanctuary of the church.36 he next day,
as soon as the singing of the canon started during matins, the priest, preceded by the deacon,
processed around the church and deposited the
cross on a decorated table placed in front of the
templon on the right side.37 ater the ritual of
the exaltation of the Cross, irst the abbot, and
Λαβὼν ὁ πρῶτος βασιλεὺς θυμιατόν, θυμιᾷ, καὶ δεξιᾷ τοῦ
βήματος ἐρχόμενοι, (κἀκεῖσε γὰρ πρόκειται ἡ τοῦ Προδρόμου
ἁγία κάρα,) ἅπτουσιν ἐκεῖσε κηρούς, καὶ ταύτην ἀσπάζονται: see
reiske, De cerimoniis, 563. his relic could not have been stored
in the diakonikon for the simple reason that the katholikon in
Stoudios did not have one.
33
. . . ἐπὶ δὲ τῷ ἐχόμενα τοῦ παλαιοῦ εἰς τὸ τῆς ἁγίας Εἰρήνης,
ἧς τὸ σεβάσμιον λείψανον ἐν τῇ μονῇ καθευρίσκεται: see
H. Delehaye, Deux typica byzantins de l’ époque des Paléologues
(brussels, 1921), 110. english translation in BMFD, 3:1267.
34
35 Janin, La géographie (n. 2 above), 214–15; Majeska, Russian
Travelers, 377–79.
r. H. Jordan, ed., he Synaxarion of the Monastery of the
heotokos Evergetis, bbtt 6.5 (belfast, 2000), 52. he wording of the rubric indicates that the skeuophylakion was located
above the ground loor, perhaps in the galleries of the church.
he Testament of Athanasios of Athos suggests the existence of a
skeuophylakion in the galleries of the katholikon of the Great
lavra in Mount athos, where athanasios’s testament was
kept: see p. Meyer, Die Haupturkunden für die Geschichte der
Athosklöster (leipzig, 1894), 123. BMFD, 1:274.
36
37 Jordan, Synaxarion of Evergetis, 58. For this text see also
G. Descoeudres, Die Pastophorien im syrobyzantinischen Osten:
Eine Untersuchung zu architektur und liturgiegeschichtlichen
Problemen (Wiesbaden, 1983), 153, where it is mistranslated.
then everybody else in pairs, venerated the cross.
the relic remained there until the beginning
of the liturgy.38 a similar ceremony took place on
the third Sunday of Great lent.39 in this instance
the Cross was kept in the bema and exposed for
veneration during orthros on the Wednesday
and Friday of the fourth week of lent.40 in like
manner, according to the Typikon of the Great
Church and the Book of Ceremonies, the true
Cross was taken out of the skeuophylakion and
exhibited for public veneration for four days preceding the feast of the exaltation of the Cross
(10–13 September), for four days in the week
following the third Sunday of lent, and for the
week before and two weeks after 1 august.41
in the late byzantine period, the monastery
of Saint George at Mangana possessed a triple
chest with relics of Christ’s passion. hese were
exhibited on a table for public veneration only
once every year, on Holy hursday, in the north
aisle of Hagia Sophia; this was, according to the
russian pilgrims, the only such opportunity.42
indeed, ignatios of Smolensk was able to kiss
only the table on which the relics were exhibited, but he made a point of visiting other shrines
on their feast days, when their relics would have
been presented for veneration.43 he illustration
in the Menologion of basil ii of the veneration
of the chains of St. peter, kept in his eponymous
eukterion close to Hagia Sophia, illustrates this
practice. he miniature shows the chains displayed on a table—not an altar—on the day commemorated in the synaxarion.44 in addition to
these programmatic expositions, reliquaries could
be taken out for veneration by special visitors. For
38 Jordan, Synaxarion of Evergetis, 58, 60, 62.
39 ibid., 404, 406, 408.
40 ibid., 418, 422, 424.
41 J. Mateos, Le typicon de la Grande Église (rome, 1962),
1:28–33, 2:40–47; reiske, De cerimoniis, 538–41, 549–50. See
also klein, “Cult of the true Cross,” 45–53.
Majeska, Russian Travelers, 216–18, 366–67. Cf. Mateos,
Le typicon de la Grande Église, 2:78.
42
Majeska, Russian Travelers, 92, 100, 289, 335 (blachernai
and Saint anastasia). according to antony of novgorod the
clothes of heodore of Stoudios were exhibited on his tomb
in the Stoudios monastery on the saint’s feast day: ehrhard,
“antoine de novgorod” (n. 2 above), 58.
43
44 Synaxarium CP, 16 January. on this small church see
Janin, La géographie, 398–99; tat, Communion (n. 23 above),
503–4.
“Grant Us to Share a Place and Lot with Them”
159
example, ruy González de Clavijo (d. 1412), the
Spanish ambassador, visited the monastery of
St. John the baptist in petra, in Constantinople,
in order to venerate the monastery’s relics and
speciically the passion relics, which were transferred to that foundation from the Mangana in
the early iteenth century.45 he monks mounted
the “tower of the church, where the relics were
preserved” inside a sealed chest.46 his they “carried down into the church and placed on a high
table which was spread with a silken coverlet.”
Subsequently the monks presented, one by one,
a formidable number of mostly passion relics.
From Clavijo’s description it is clear that most of
the contents of the chest were small reliquaries,
each sealed and locked.47
in addition to the pragmatic concern of keeping such valuable commodities safe, restricted
access to relics created an economy of desire. Constantinople was famed in the West for its collection of relics. before 1204 the byzantine imperial
administration carefully exploited the prestige
of important relics through git-giving and regulated access to eminent visitors.48 he massive
transfer of reliquaries to Western europe ater
the Crusader sack of Constantinople underlined
how successful this construction of relic-lust had
been. it is not accidental that both western and
eastern visitors to Constantinople were attracted
mainly to the city’s relics and showed little interest in anything else.49 yet even beyond the politics
of the palace, the only occasional exposition of a
relic held by a church or a monastery might have
45 Majeska, Russian Travelers (n. 25 above), 342–44.
he russian anonymous reports a chest of relics in the
monastery of peribleptos: Majeska, Russian Travelers, 146.
46
47 r. González de Clavijo, Embassy to Tamerlane, 1403–1406
(new york, 1928), 80–83. antony of novgorod describes a similar exposition of relics on a table in the monastery of the prophet
elijah: ehrhard, “antoine de novgorod,” 62.
48 on this see H. a. klein, “eastern objects and Western
Desires: relics and reliquaries between byzantium and
the West,” DOP 58 (2004): 283–314. See also a. eastmond,
“byzantine identity and relics of the true Cross in the
hirteenth Century,” in Eastern Christian Relics, ed. lidov,
205–16.
lists of relic possessions by church or monastery constituted the largest parts of the foreign pilgrims’ accounts. See
Majeska, Russian Travelers; k. n. Ciggaar, Western Travellers
to Constantinople: he West and Byzantium, 962–1204 (leiden,
1996); a. lidov, Relikvii v Vizantii i Drevneĭ Rusi (Moscow,
2006).
49
160
increased the relic’s (and, by extension, the foundation’s) reputation and enhanced its mystique,
especially in a city where pilgrims had the option
to venerate literally hundreds of such objects.
Stephen of novgorod clearly expressed the inancial ramiications of the pilgrim traic for the
city’s religious establishments when he admonished his reader that “if you attempt to get around
[in Constantinople] stingily or cheaply you will
not be able to see or kiss a single saint unless it
happens to be the holiday of that saint when [you
can] see and kiss [the relics].”50
permanent or semipermanent ixtures such as
tombs and relic shrines also had a variety of locations inside the byzantine church. hese relected
to a degree the places where movable reliquaries were kept, although the considerations that
dictated this arrangement were certainly diferent. For example, in the Mangana, the aforementioned chest with the passion relics was located
“on the right side in front of the altar.”51 Whether
this means inside or outside the bema proper
is unclear, but a semipermanent installation is
implied here, one that would have permitted pilgrims and visitors to venerate the container, albeit
not the relics themselves. he anonymous Mercati
described in similar terms the location of the sarcophagus of St. euphemia inside her martyrium
in Constantinople.52 in the fourteenth century
in Dečani the relics of St. Stefan Dečanski were
moved from his tomb in the southwestern part of
the naos to an elevated wooden reliquary placed
just to the north of the main sanctuary entrance
right outside the bema (ig. 8.4).53
he Dečani example is indicative of the complications of mapping the topography of supposedly ixed sacred loca in middle and late byzantine
churches. tombs of saints do not have a standard
location. antony of novgorod saw the tomb
of St. Metrophanes, the irst patriarch of Constantinople, behind the altar in the church of
50 Majeska, Russian Travelers, 44–46.
later the relics were kept in petra: see Majeska, Russian
Travelers, 368–69.
51
52 k. n. Ciggaar, “une description de Constantinople traduite
par un pèlerin anglais,” REB 34 (1976): 256–57; Majeska, Russian
Travelers, 320.
53 S. Ćurčić, “proskynetaria icons, Saints’ tombs, and the
Development of the iconostasis,” in he Iconostasis: Origins,
Evolution, Symbolism, ed. a. lidov (Moscow, 2000), 134–60.
Vasileios Marinis and Robert Ousterhout
Fig. 8.4
Dećani, Church of
Christ pantokrator, plan
(S. Ćurčić modiied by
r. ousterhout)
St. akakios.54 in the monastery of St. lazaros in
the topoi, built probably by leo Vi, the body of
St. lazaros was deposited to the let of the altar
and the body of St. Mary Magdalen to the right,
against the templon, in a silver coffin.55 the
russian anonymous noted that “there are two
incorrupt bodies . . . St. Sabas and St. Solomonis
repose in the corner on the let side” of the naos
of the Stoudios in Constantinople.56 he ot-mentioned miracle-working tomb of St. nicholas may
have been in the lateral aisle of his church at Myra,
but its location is not entirely certain—even the
italian merchants who stole the body needed
assistance to identify it.57 Very oten, saints’ tombs
were located in auxiliary chapels, crypts, and other
subsidiary spaces. St. heodora of hessalonike
reposed inside a sarcophagus with a wooden cover
located in a chapel of the heotokos “in the middle of the right-hand colonnade of the church in
the convent of St. Stephen in hessalonike.”58
in the ninth century, the body of theodore
Stoudite and the remains of his brother, Joseph
of hessalonike, were translated to the Stoudios
and placed in the same tomb as their uncle, plato,
inside a chapel dedicated to the martyrs located
to the east of the main church.59 later in the
ninth century two other important Stoudites,
naukratios and nicholas, were buried together
in the same chapel.60 St. athanasios of athos’s
tomb was eventually located in the north chapel
attached to the katholikon of Great lavra.61 he
relics of St. babylas and the eighty-four children
58 e. kurtz, Des Klerikers Gregorios Bericht über Leben, Wun
derthaten und Translation der hl. heodora von hessalonich nebst
der Metaphrase des Joannes Staurakios (St. petersburg, 1902),
31. english translation in a.-M. talbot, ed., Holy Women of
Byzantium: Ten Saints’ Lives in English Translation (Washington,
DC, 1996), 209.
56 Majeska, Russian Travelers, 146.
59 C. Van de Vorst, “la translation de S. héodore Studite
et de S. Joseph de hessalonique,” AB 32 (1913): 60. See also
ehrhard, “antoine de novgorod,” 58; Ciggaar, “Description de
Constantinople,” 262. likely remains of this chapel, whose surviving lower level may have been a sort of hagiasma, still survive
to the southeast of the basilica.
57 J. borchhardt, ed., Myra: Eine lykische Metropole in antiker
60 pG 105:921.
und byzantinischer Zeit (berlin, 1975), 349–51.
61
54 ehrhard, “antoine de novgorod,” 62.
55
pG 147:573; brock, “armenian pilgrim” (n. 26 above), 86.
babić, Les chapelles annexes (n. 30 above), 47.
“Grant Us to Share a Place and Lot with Them”
161
that were martyred with him were kept in coins
in a crypt underneath the church of the martyr
anthimos in the monastery of Chora.62 and the
tombs of the prophet Daniel, St. niketas, and the
martyr romanos were in an underground chapel in the church of St. romanos.63 he narthex,
however, appears to have been the most preferred
location (e.g., niketas of Medikion, kliment of
ohrid, paul the younger, and ignatios, abbot of
Savior bathyrrhyax in Constantinople, among
others).64 St. heodora of arta (d. 1270) was buried on the south side of the narthex in the monastic church of St. George. he tomb still survives
although it has been severely altered.65
he case of heodora of arta is signiicant
because she was the founder of the church and
nunnery in which she was interred. indeed, the
location of saints’ tombs in aisles, narthexes,
and chapels follows patterns identical to those
of tombs of founders, benefactors, and monastic leaders, as it was the case with the several
Stoudites buried in the Chapel of the Martyrs.66
in other words, a tomb inside the church or a chapel was not the exclusive prerogative of saints, but
should be seen in the context of privileged burial.
he byzantine Church did not have an oicial
process of canonization before the late thirteenth
century,67 and in most cases, sanctity was proved
through a complex and lengthy process.68 Many
of the above-mentioned saints were buried inside
the conines of a sacred space because of their
status as founders or benefactors and were recognized as saints only subsequently. his fact limits
the usefulness of any conclusions.
65
noncorporeal relics are less problematic. at
the pantokrator Monastery in Constantinople,
the Stone of the unction was permanently put
on display in relationship to the imperial tombs,
speciically that of Manuel, who had brought
the stone to Constantinople. originally housed
at the pharos church, the stone was set up at
the pantokrator ater Manuel’s death, in 1180.69
Megaw is undoubtedly correct in envisaging the
stone set under the great arch between the south
and central churches, opened to visually connect
the monastic church with the imperial tombs. it
thus could have been venerated from either side
of the arch, while forming an efective barrier
between the south church—closed of for monastic use—and the funeral chapel, which seems to
have been accessible from the northern, public
church of the complex. in addition, it it nicely
with the mosaic decoration of the funeral chapel,
whose program was devoted to the death and resurrection of Christ.
in the church of the Holy Cross in his
enkleistra near paphos, the future St. neophytos
had a wooden cross set into a cruciform recess on
the east wall, beneath an image of the Cruciixion
painted in 1183. He had obtained a fragment
of the Holy Cross ca. 1165, and this was apparently set into a cavity at the center of the wooden
cross (ig. 8.5),70 constructing a mimetic relationship similar to that in the limburg Staurothek.
notably, this section of wall faces due east, while
the bema is oriented to the north.71 the surrounding painted program relates to the relic
and directs our eyes toward it: note the angle of
the cross carried by Simon (let) and the line of
Christ’s arm in the Deposition (right). byzantine
churches oten preserve loculi in the walls that
may have contained venerated relics of lesser
importance. in the Chora naos, for example, a
rectangular recess aligns with the cuttings for
hanging icons along the north wall.72 according
to a legendary account of the construction of
Hagia Sophia, relics were enclosed in columns
66 on the topic of burials inside churches see Marinis, “tombs
and burials.”
69 Megaw, “recent Work” (n. 10 above), 342.
62 M. b. Cunningham, ed., he Life of Michael the Synkellos
(belfast, 1991), 124. For this church see Janin, La géographie (n. 2
above), 34. See also Synaxarium CP, Sept. 4.
Janin, La géographie, 85–86; Majeska, Russian Travelers,
326–29.
63
64 V. Marinis, “tombs and burials in the Monastery tou libos
in Constantinople,” DOP 63 (2009): 159–60.
a. k. orlandos, “Ὁ τάφος τῆς Ἁγ. Θεοδώρας,” Ἀρχ.Βυζ.
Μνημ.Ἑλ. 2 (1936): 105–15.
67 a.-M. talbot, Faith Healing in Late Byzantium: The
Posthumous Miracles of the Patriarch Athanasios I of Constanti
nople by heoktistos the Stoudite (brookline, Ma, 1983), 21–30.
70 C. Mango and e. J. W. Hawkins, “he Hermitage of
St. neophytos and its Wall paintings,” DOP 20 (1966): 158.
68 on this topic see kaplan, “l’ensevelissement des saints”
(n. 21 above), 319–32.
72 See r. ousterhout, he Architecture of the Kariye Camii in
Istanbul (Washington, DC, 1987), pl. 52.
162
71
teteriatnikov, “relics in the Walls” (n. 14 above), 78–79.
Vasileios Marinis and Robert Ousterhout
Fig. 8.5
paphos (near),
enkleistra of
St. neophytos, looking
east (photo courtesy
image Collections
and Fieldwork
archives, Dumbarton
oaks, trustees for
Harvard university,
Washington, DC)
and within every twelth brick in the arches of
the great dome.73
relics inhabited sacred space, but did they afect
its form and function? he idea of an architectural reliquary is very clear in the early byzantine
period. he ith-century circular chapel in which
the maphorion of the theotokos was kept at
t. preger, Scriptores originum Constantinopolitanarum
(leipzig, 1901), sec. 14.22. See also Majeska, Russian Travelers
(n. 25 above), 30–31. Whether the cross-shaped cavities found
throughout Hagia Sophia contained reliquaries or, more
likely in our opinion, devotional crosses is unclear: see n.
teteriatnikov, “Devotional Crosses in the Columns and Walls
of Hagia Sophia,” Byzantion 68 (1998): 419–45; eadem, “relics
in the Walls,” 81–82.
blachernai was called soros, literally a reliquary
casket.74 yet, with very few exceptions, it is doubtful that this idea was carried over to the medieval
period. his is peculiar because, if we are to believe
the liturgical sources, Constantinopolitans continued to use several early foundations where
the existence of a relic and eponymous dedication of a chapel indicate that the latter was built
to house the former. his is the case with the
aforementioned chapel of St. peter near Hagia
Sophia, which housed the chains of peter;75 the
73
74 For this chapel see J. b. papadopoulos, Le palais et les églises
des Blachernes (hessalonike, 1928); a. M. Schneider, “Die
blachernen,” Oriens 4 (1951): 97–105; Janin, La géographie,
161–71. ater 1261 clothing items of the heotokos were inside a
stone casket placed on the altar of the blachernai.
75 See above, n. 44.
“Grant Us to Share a Place and Lot with Them”
163
Fig. 8.6
Jerusalem,
church of the
Holy Sepulchre,
plan, mid-11th c.
(r. ousterhout)
martyrium of SS. Florus and laurus near the cistern of Mokios, which housed their heads (they
were subsequently moved to the pantokrator
Monastery);76 or the chapel of St. Stephen in the
palace, built to house the relic of the saint’s right
arm.77 Middle byzantine typika and synaxaria
for Constantinople indicate that very oten the
synaxis, or liturgical gathering on the saint’s feast
day, took place in these chapels, enhancing the
localized connection among the saint, relic, and
place of veneration.
Subsidiary chapels and related structures
were primarily commemorative in function, and
they could be used for the safekeeping of movable
reliquaries and as the setting of saints’ tombs. We
have already mentioned some examples, although
in all those cases the relic or tomb was added to an
76 Synaxarion CP, 908. Janin, La géographie, 496–97;
Majeska, Russian Travelers, 293.
i. kalavrezou, “Helping Hands for the empire: imperial
Ceremonies and the Cult of relics at the byzantine Court,”
in Byzantine Court Culture rom 829 to 1204, ed. H. Maguire
(Washington, DC, 1997), 53–79.
already-existing structure. but there are examples
of de novo constructions. in the eleventh-century
byzantine rebuilding of the Church of the Holy
Sepulchre in Jerusalem, for example, the presence
of numerous relics associated with the passion
of Christ led to the construction of a circuit of
annexed chapels around the courtyard, allowing
the faithful to visit in chronological sequence the
relics associated with the prison, the lagellation,
the crown of thorns, and the division of the garments, before ascending to the elevated chapel of
Calvary (ig. 8.6).78 Here, unusually, the unique
redesign of the complex came as a response to the
simultaneous presence of both relics and a large
public wishing to venerate them.
he katholikon of the monastery of Hosios
Meletios in attica was constructed around the
year 1100. Sometime shortly ater the death of
Meletios in ca. 1105, the narthex was enlarged
into a spacious lite with a peculiar form (ig. 8.7).
77
164
r. ousterhout, “rebuilding the temple: Constantine
Monomachus and the Holy Sepulchre,” JSAH 48 (1989): 66–78.
78
Vasileios Marinis and Robert Ousterhout
Fig. 8.7
Hosios Meletios,
katholikon, plan (a. k.
orlandos modiied by r.
ousterhout)
the north bay of the lite, which houses the
pseudo-sarcophagus of Meletios, projects signiicantly from the north wall of the katholikon and
creates a chapel-like space for the saint’s tomb.
orlandos argued that the addition of the lite was
due to functional reasons—the monastic community became too large.79 his was certainly a
consideration, yet the lite and especially its northernmost bay also create an appropriate architectural context for the tomb of Meletios. under
the lite there is a crypt, which likely extended
beneath the present location of Meletios’s sarcophagus. its function is still unclear, but it is
possible that Meletios was originally buried
there and his relics subsequently translated above
ground, an arrangement relected in the crypt
a. k. orlandos, “Ἡ μονὴ τοῦ Ὁσίου Μελετίου καὶ τὰ
παραλαύρια αὐτῆς,” Ἀρχ.Βυζ.Μνημ.Ἑλ. 5 (1939–40): 79–83.
79
and katholikon of Hosios loukas, which we will
examine later in this chapter.
Some unusually situated burials in Cappadocia might signal special veneration. at the
tenth-century kubbeli kilise in Soğanlı Dere,
an isolated, barrel-vaulted tomb is located of
the north transept (ig. 8.8). large enough for
a single burial, the chamber is accessible only
through a small rectangular window in the transept. Within the naos proper, the badly damaged
scene of the Holy Women at the tomb of Christ
appears in the north lunette, with the angel
barely visible; the tomb of Christ is represented
by an arch that mimics the form of the barrel
vault immediately behind it. hus the angel’s gesture toward the tomb of Christ also directs our
view to the actual burial. his may have been the
tomb of a locally revered holy man, which would
account for the unusual concentration of burials
“Grant Us to Share a Place and Lot with Them”
165
Fig. 8.8
Soğanlı Dere
(Cappadocia),
kubbeli kilise, plan
(r. ousterhout
and a. Henry)
in this area; more than one hundred have been
counted inside and around the church.80
in some cases, subsidiary chapels inherited the
function of early byzantine martyria and prophe
teia, some of which were attached to larger foundations as well. hey created an appropriate and
safe place for a tomb or reliquary and they facilitated the low of visitors. hey were, in a sense,
architectural reliquaries. but this statement needs
qualification. Slobodan Ćurčić’s fundamental
study of subsidiary chapels showed an array of
possible arrangements, and archaeological evidence indicates a lack of standardization both in
the form of the chapels and in their connection
80 r. G. ousterhout, “remembering the Dead in byzantine
Cappadocia: he architectural Settings for Commemoration,”
in Architecture of Byzantium and Kievan Rus rom the 9th to the
12th Centuries (St. petersburg, 2010), 89–100.
166
to the main church.81 Chapels were created to
house relics or tombs, but most oten these were
deposited in a chapel long ater the chapel’s construction, as is the case with the aforementioned
head of St. Stephen the younger or the several
Stoudites buried in the Chapel of the Martyrs.
Moreover, chapels in medieval byzantium had a
variety of functions; many had no relics whatsoever. he tenth-century church of the heotokos
tou libos was equipped with six subsidiary chapels, and as far as we know only one possessed relics.82 With the exception of clear cases of a relic
and an eponymous chapel (most of which date
from before the ninth century), reliquaries were
deposited in chapels for practical reasons, primarily security and access control. here was usually
81
Ćurčić, “architectural Signiicance” (n. 30 above).
82 See above n. 34.
Vasileios Marinis and Robert Ousterhout
no causal relationship between relics and the creation of such architectural spaces.
or was there? Scholars oten argue that certain palace chapels were the equivalent of giant
reliquaries, and that the pharos chapel in particular was the byzantine reliquary chapel par
excellence.83 Constructed already in the eighth
century, the pharos played an important role in
the liturgical life of the palace. in addition, the
emperor venerated the Holy lance there on Holy
Friday; and the true Cross was exhibited and
venerated there in the middle of Great lent and
on 1 august.84 beginning with the arrival of the
Mandylion of edessa in 944, the pharos became
a depository of dominical relics.85 Magdalino has
argued that the collection was put together primarily between 944 and 1032 as a direct consequence of the empire’s successful expansion wars
in the east.86 by 1200, when nicholas Mesarites,
the skeuophylax of the pharos church, enumerated its holdings, the list is nothing short of
impressive:87 the Crown of horns, a precious
nail, the Whip (φραγέλλιον), the lance, the
Sandals, Christ’s purple robe, and so on.
We know about some of the reliquaries: for
example, the Fragellion was in a box and the
Mandylion in a tabula.88 but we have little information about exactly where inside the pharos
these relics were kept. according to the Narratio
the Mandylion was placed “to the right side in
83 he church of pharos is attested for the irst time in
heophanes in conjunction with the betrothal of leo iV and
irene in 769. it was constructed perhaps by Constantine V
kopronymos in the eighth century, or even earlier in the seventh
century, and was rebuilt largely by Michael iii. See Janin, La
géographie (n. 2 above), 232–36; p. Magdalino, “l’église du phare
et les reliques de la passion à Constantinople (Viie/Viiie–Xiiie
siècles),” in Byzance et les reliques du Christ, ed. J. Durand and
b. Flusin (paris, 2004), 15–23.
84 Magdalino, Byzance et les reliques du Christ, 18–19. See also
V. kydonopoulos, “Παρατηρήσεις στην ταύτιση του ναού της
Θεοτόκου της 10ης ομιλίας του Πατριάρχου Φωτίου με το ναό της
Θεοτόκου του Φάρου: Νέα στοιχεία υπέρ αυτής της ταύτισης,”
Byzantina 23 (2002): 143–53.
85 on the circumstances of the Mandylion’s deposition see
S. G. engberg, “romanos lekapenos and the Mandilion of
edessa,” in Byzance et les reliques du Christ, 123–42.
the east.”89 his likely indicates the diakonikon.
However, at some point the Mandylion and its
counterpart, the keramion (Holy tile) were displayed in the middle of the church, suspended
from the vault. robert de Clari, who saw the chapel in 1204 writes, “here were two rich vessels
(vaisseaus, i.e., reliquaries) of gold hanging in the
midst of the chapel by two heavy silver chains.
in one of these vessels there was a tile and in the
other a cloth.”90 Hanging reliquaries were not
unusual and might relect hagiopolitical practices.91 Depictions of the Mandylion in monumental art are frequent. although the Mandylion
does not have a ixed place in these images, it is
oten situated in the diakonikon, as at karanlık
kilise in Göreme (mid-eleventh century),92 or
under the dome as a pendant to the keramion,
as at episkopi in the Mani (twelth century).93
both may relect how the Mandylion was kept
and exhibited in pharos.94
it is tempting to read sacred topographies
in the selection of relics in the pharos. indeed,
nicholas Mesarites did that already in the late
twelfth century when he called the church
“another Sinai, bethlehem, Jordan, Jerusalem,
nazareth, bethany, . . . Golgotha.”95 yet the
pharos, like many of the palace churches, only
gradually became “la Sainte-Chapelle des
byzantines,” as it is often called. it was certainly not built as such. he accumulation of
relics happened over a period of several decades,
by emperors with difering agendas. here are
89 ἐκτενοῦς δὲ συνήθως γεγονυίας δεήσεως ᾔρθη μετὰ τὴν ταύτης
συμπλήρωσιν ἐντεῦθεν πάλιν ἡ θεία εἰκὼν καὶ ἐν τῷ προρηθέντι
τοῦ Φάρου ναῷ ἐν τῷ δεξιῷ πρὸς ἀνατολὰς ἀνιερώθη καὶ ἀνετέθη
μέρει: e. von Dobschütz, Christusbilder: Untersuchungen zur
christlichen Legende (leipzig, 1899), 85**.
robert de Clari, he Conquest of Constantinople (new
york, 2005), 104–5.
90
91
bacci, “relics,” 242.
n. hierry, “Deux notes à propos du Mandylion,” Zograf 11
(1980): 16–19. See also C. Jolivet-lévy, “note sur la représentation du Mandylion dans les églises byzantines de Cappadoce,” in
Intorno al Sacro Volto: Genova, Bisanzio e il Mediterraneo (secoli
XI–XIV) (Venice, 2007), 137–44.
92
93 t. Velmans, “l’église de khé, en Géorgie,” Zograf 10 (1979):
86 Magdalino, “l’église du phare,” 25.
74–78.
87 a. Heisenberg, Nikolaos Mesarites: Die Palastrevolution des
94 We ind very little evidence for the claims in a. lidov, “he
Johannes Komnenos (Würzburg, 1907), 29–32.
Mandylion and keramion as an image-archetype of Sacred
Space,” in idem, Eastern Christian Relics, 249–80.
88 M. bacci, “relics of the pharos Chapel: a View From the
latin West,” in Eastern Christian Relics, ed. lidov, 241.
95 Heisenberg, Nikolaos Mesarites, 31–32.
“Grant Us to Share a Place and Lot with Them”
167
good reasons to believe that the Mandylion was
originally placed by romanos in the church of
Christ in Chalke and was only later moved to the
pharos by Constantine Vii.96 Furthermore, the
collecting of relics by emperors throughout the
byzantine period follows no consistent pattern.97
hus, from a functionalist perspective, the pharos
is a problematic case. Was there anything in the
architecture of this building that warranted,
required, or caused its status as the quintessential byzantine “reliquary church”? its opulence
must have been impressive, but this could hardly
have been unique to Constantinople, particularly
within the Great palace. its selection as sacred
depot must have been due to the fact that it was
the premier palatine church, located close to the
Chrysotriklinos and connected by a corridor to
the imperial apartments. Subsequent emperors
may have deposited related relics in the pharos
simply because they were following a precedent
begun by the venerable Macedonian dynasty.98
it was therefore in the preexisting status of the
pharos, rather than in its architecture, that determined its function. rhetorical platitudes of the
byzantines and symbolic constructs by contemporary scholars simply obscure the most fundamental motivation—namely prestige, vested
in the emperor, the city, and the empire, as well
as utility in international diplomacy.99 the
responses of visitors and conquerors alike amply
demonstrate these motives.
the second important repository of relics
associated with the Great palace, this time relics
related to Constantine i and to old testament
igures and events, was the nea ekklesia, built by
basil i in 880.100 he ive-domed church is known
96 engberg, “romanos lekapenos.”
97 For a useful overview see H. a. klein, “Sacred relics and
imperial Ceremonies at the Great palace of Constantinople,”
in Visualisierungen von Herrschat [= Byzas 5] (istanbul, 2006),
79–88.
98 he case of the Sandals of Christ is instructive. tzimiskes
originally deposited them in the chapel of Christ in Chalke but
basil ii likely moved them to pharos, where they appear in several lists. See Magdalino, “l’église du phare,” 24–25.
99 klein, “eastern objects” (n. 48 above).
100 Janin, La géographie, 361–64; p. Magdalino, “observations
on the nea ekklesia of basil i,” JÖB 37 (1987): 51–64; idem,
“basil i, leo Vi, and the Feast of the prophet elijah,” JÖB 38
(1988): 193–96; idem, “l’église du phare.”
168
from its ekphrasis in the Vita Basilii.101 it was
dedicated to Christ, the heotokos, St. nicholas,
the prophet elijah, and an archangel, originally
Gabriel and later Michael. he corresponding
number of dedications and domes indicates the
existence of separate chapels inside the church.
the Book of Ceremonies mentions specifically
the one dedicated to elijah and another to the
archangel and makes references to other sanctuaries.102 Stephen of novgorod also writes of
chapels inside the nea.103 as a compartmentalized container of multiple relics, the nea might
be compared to contemporary reliquaries, such as
the Fieschi-Morgan reliquary.104
We know the locations of some of the relics in the nea; most were kept inside the bema
or displayed on the templon. elijah’s sheepskin
cloak was kept in the sanctuary of the chapel
of the prophet elijah, as the Book of Ceremonies
relates.105 antony of novgorod, who visited in
1200, writes that the cross with which Constantine went to battle was above the doors of the
bema; Constantine’s shield was inserted on the
templon; the horns of abraham’s lamb and perhaps the horn of Samuel were inside the bema;
behind the altar was the table on which abraham
ate with the Holy trinity; in the same chapel was
a cross made with the vine that noah planted
ater the Flood, and encased there was the olive
branch that the dove brought him. in the same
bema, antony saw part of the sheepskin cloak
and belt of elijah, which by that time had apparently been moved from its original location.106
although there is a discrepancy between the
list of relics in the Book of Ceremonies and those
in antony’s account, Magdalino has convincingly
argued that the collection represents the intentions and the agenda of basil i. if this is indeed
the case, the nea must have been conceived, at
101 i. Ševčenko, ed., Chronographiae quae heophanis contin
uati nomine fertur liber quo Vita Basilii Imperatoris amplectitur
(berlin, 2011), 272–81.
102
reiske, De cerimoniis (n. 22 above), 1:117, 120–21.
103
Majeska, Russian Travelers (n. 25 above), 36–38.
H. C. evans and W. D. Wixom, he Glory of Byzantium:
Art and Culture of the Middle Byzantine Era, A.D. 843–1261
(new york, 1997), 74–75.
104
105 reiske, De cerimoniis, 1:117.
106 ehrhard, “antoine de novgorod” (n. 2 above), 57. See also
Ciggaar, “Description de Constantinople,” (n. 52 above), 246.
Vasileios Marinis and Robert Ousterhout
least in part, as their original place of exhibition and safekeeping. yet, with the exception of
elijah’s cloak, which at least initially was kept in
the chapel dedicated to him, the other relics do
not correspond to the dedications of the nea and
do not appear to have been specially accommodated in or dispersed throughout the chapels of
the nea. if antony of novgorod is correct, they
did not have a ixed place (with the exception of
the two Constantinian relics) and were moved,
as was the case with elijah’s sheepskin. again, it
is diicult here to argue that accommodation of
relics had any architectural exigencies.
yet there were certainly exceptions. the
monastic complex of Hosios loukas in boeotia
constitutes the best-preserved example of architectural accommodation of relics from the
Middle byzantine period. he opulent monastery
marks the site of the inal hermitage and tomb of
the blessed luke of Steiris, who died in 953.107
luke was known for his healing powers and his
ability to predict the future, and he continued
to perform miracles from his tomb. luke built
the irst church, probably on the site of the present panagia church, and when he died, his disciples buried him beneath the loor of his cell.108
he continuous miracles at the tomb attracted
increasing numbers of visitors, much to the surprise of the monks. by the late tenth century, the
tomb was enclosed in a cruciform eukterion.109
Sometime in the irst half of the eleventh century the katholikon was constructed, incorporating parts of the old eukterion into the
present-day crypt (igs. 8.9–10). he relics of luke
were removed from his tomb and placed in a
proskynetarion above, presumably in 1011.110
he location of the proskynetarion dictated
the functional relationship between the two
churches and determined the design of the complex. positioned in a close vertical relationship
to the tomb below, the proskynetarion is also
in a prominent and accessible position, allowing pilgrims access from the exonarthex and
lite of the panagia church and from the naos of
the katholikon, as well as through a passageway
in the east wall of the complex.111 he number
of pilgrims is evident from the thousands of
graiti throughout the building. Very clearly,
the architecture of Hosios loukas responded
directly to the sacred presence and to the necessities of pilgrimage.
However, cases like the complex of the Hosios
loukas monastery were exceptional in byzantium. byzantine church architecture occupied a
spiritual landscape somewhat diferent from that
of its early Christian predecessors or its western
medieval contemporaries in that the presence of
relics did not spur the creation of speciic architectural forms, such as the Carolingian annular
crypts and rotundas or the multiple apses of the
so-called romanesque pilgrimage churches.112
107 he construction history of the complex and the donor or
donors of the monastery are still debated issues. in this chapter
we follow Chatzidakis (see below), whose opinions seem the
most plausible to us. For the monastery of Hosios loukas see,
selectively, r. W. Schultz and S. H. barnsley, he Monastery of
Saint Luke of Stiris, in Phocis, and the Dependent Monastery
of Saint Nicolas in the Fields, near Skripou, in Boeotia (london,
1901); M. Chatzidakis, “a propos de la date et du fondateur de
Saint-luc,” CahArch 19 (1969): 127–50; idem, “précisions sur le
fondateur de Saint luc,” CahArch 22 (1972): 87–88; e. Stikas,
Ὁ κτίτωρ τοῦ καθολικοῦ τῆς μονῆς Ὁσίου Λουκᾶ (athens, 1974);
D. pallas, “zur topographie und Chronologie von Hosios
lukas: eine kritische Übersicht,” BZ 78 (1985): 94–107;
n. oikonomides, “he First Century of the Monastery of
Hosios loukas,” DOP 46 (1992): 245–55; p. M. Mylonas, Μονὴ
τοῦ Ὁσίου Λουκᾶ τοῦ Στειριώτη: Ἡ ἀρχιτεκτονικὴ τῶν τεσσάρων
ναῶν (athens, 2005). For the vita of Holy luke see D. z.
Sophianos, ed., Ὁ βίος τοῦ Ὁσίου Λουκᾶ τοῦ Στειριώτη (athens,
1989). english translation in W. r. Connor and C. l. Connor,
he Life and Miracles of Saint Luke of Steiris: Text, Translation
and Commentary (brookline, Ma, 1994).
108 Sophianos, Βίος, paras. 72, 78–79.
109 ibid., para. 81.
110
Chatzidakis, “a propos,” 129.
111
Mylonas, Μονή, 57–60.
For case studies of roman churches in late antiquity and
the middle ages see S. de blaauw, Cultus et décor: Liturgia e
architettura nella Roma tardoantica e medievale (Vatican City,
1994); J. J. emerick, “altars personiied: he Cult of Saints and
the Chapel System in pope paschal i’s S. prassede (817–819),” in
Archaeology in Architecture: Studies in Honor of Cecil L. Striker,
ed. J. J. emerick and D. Mauskopf Deliyannis (Mainz, 2005),
43–63. For the medieval period see, selectively, J.-p. Caillet,
“reliques et architecture religieuse aux époques carolingienne
et romane,” in bozóky and Helvétius Les reliques (n. 21 above),
169–97; b. brenk, “les églises de pèlerinage et le concept de
prétention,” in Art, cérémonial et liturgie au Moyen Âge: Actes
du Colloque de 3e Cycle Romand de Lettres, LausanneFribourg,
24–25 mars, 14–15 avril, 12–13 mai 2000 (rome, 2002), 125–39;
J. Crook, he Architectural Setting of the Cult of Saints in the
Early Christian West, c. 300–1200 (oxford, 2000). See also the
useful overviews in p. Gerson, “art and pilgrimage: Mapping
the Way,” in A Companion to Medieval Art: Romanesque and
Gothic in Northern Europe, ed. C. rudolph (Malden, Ma,
2006), 599–618; É. palazzo, “relics, liturgical Space, and the
112
“Grant Us to Share a Place and Lot with Them”
169
Fig. 8.9
Hosios loukas
Monastery,
katholikon and
church of the
panagia, plan
(r. ousterhout,
redrawn ater
Schultz and barnsley)
one of the fundamental peculiarities of the locus
sanctus in byzantium was its movability. its role
is primarily as ceremonial setting, lacking an
identiiable formal response to sacred place or
sacred presence. Similarly, few byzantine relics
were site-speciic. his is plainly evident in the
case of portable reliquaries, and we have argued
in this chapter that it was primarily the need for
security and controlled access that dictated their
location inside the church—locked in a cabinet
in the bema, inside a chapel, or sometimes hung
from the ceiling. but even primary burials inside
churches were not impervious to relocation—
quite the opposite. an example is Mary the
younger, a pious housewife whose husband beat
her to death in Vize, ca. 903. She was buried in
the cathedral of the town, probably because of her
husband’s rank; she was not recognized as a saint
heology of the Church,” in Treasures of Heaven: Saints, Relics,
and Devotion in Medieval Europe, ed. M. bagnoli et al. (new
Haven, 2010), 99–109.
170
at the time of her death. ater miracles began to
occur at her tomb, she demanded her own “house
of prayer” through a dream sent to her husband.
about twenty-ive years ater the irst translation,
Mary’s son turned this “house of prayer” into a
monastery and relocated Mary’s body to a diferent tomb inside the same church.113
in another example, St. euphemia, one of
Constantinople’s few local martyrs and an upholder of orthodoxy, was originally venerated
in Chalcedon, where a martyrium was constructed, with her tomb in a chapel adjoining
the sanctuary. in the troubled seventh century,
113 For the vita of St. Mary the younger, see BHG 1164, AASS
novembris 4 (brussels, 1925), 692–705, as well as the english
translation with introduction by a. laiou, in Holy Women of
Byzantium: Ten Saints’ Lives in English Translation, ed. talbot
(n. 58 above), 239–89. For the date of her death, see t. pratsch,
“Das totesdatum der Maria (der Jüngeren) von bizye (BHG
1164): 16. Februar 902,” BZ 97 (2004): 567–69. For recent observations on the church at Vize, see F. a. bauer and H. a. klein,
“he Church of Hagia Sophia in bizye (Vize): results of the
Fieldwork Seasons 2003 and 2004,” DOP 60 (2006): 249–70.
Vasileios Marinis and Robert Ousterhout
when the asian shore was threatened by persian
attack, her relics were transferred into the city.114
eventually—although it is unclear when—they
came to be housed in a more centrally located
church dedicated to her, by the Hippodrome, formerly the hall of a ith-century palace, as noted
above.115 Curiously, rather than being ixed and
immutable, her original place of burial seems to
have been forgotten. he relics, wherever they
were, assumed greater importance than her martyrium. another telling example, the robe of
the heotokos, had been kept at the blachernai
church since its arrival in Constantinople in
the ith century.116 regarded as the sacred palladion of the city, its resting place was considerably less important than its activated presence.
in its protective role, the robe was empowered by
parading it along the city walls in times of crisis.
indeed, the eicacy of the relic as protector of
the city seems to have depended on its movement
through space. all of this suggests that the relic
was oten understood independent of its architectural setting.
recent studies have examined the symbolic
potential of the architectural image to represent sacred space. Ćurčić and Hadjitryphonos
emphasize the iconic value of the byzantine
architectural image—that is, like an icon, the
AASS Sept. 5:275; r. naumann and H. belting, Die
EuphemiaKirche am Hippodrom zu Istanbul und ihre Fresken
(berlin, 1966), 23–24.
114
115 naumann and belting, Die EuphemiaKirche, 49–53.
With limited remains, the dates of the mausolea are uncertain.
Mathews had argued for a sixth-century conversion for building on the overwhelming 6th-century character of its liturgical furnishings—that is, he proposed that the conversion had
occurred before the transfer of relics; see t. F. Mathews, he
Early Churches of Constantinople: Architecture and Liturgy
(university park, pa, 1971), 61–67. However, a close examination of the evidence suggests that the sixth-century marbles are
spolia, and thus a later conversion seems more likely—perhaps
even as late as the 796 restoration by irene and Constantine Vi;
see C. Mango, “he relics of St. euphemia and the Synaxarion
of Constantinople,” in Ὠπώρα: Studi in onore di mgr Paul
Canart per il LXX compleanno, III = BollGrott 53, ed. S. lucà
and l. perria (1999): 79–87. We thank Jordan pickett for his
observations on St. euphemia.
Fig. 8.10 Hosios loukas Monastery, katholikon,
reliquary of H. loukas, present state, looking east
(photo courtesy V. Marinis)
116 n. baynes, “he Finding of the Virgin’s robe,” AIPHOS 9
(1949): 87–95; n. baynes, “he Supernatural Defenders of
Constantinople,” AB 67 (1949): 165–77; av. Cameron, “he
heotokos in Sixth-Century Constantinople: a City Finds its
Symbol,” JTS 29 (1978): 79–108; eadem, “images of authority:
elites and icons in late Sixth-Century byzantium,” PP 84
(1979): 3–35.
“Grant Us to Share a Place and Lot with Them”
171
architectural representation ofers a valid intermediary for communication with the divine.117
but if the church as sacred space was to be equated
with its sacred contents, it is perhaps noteworthy
how few byzantine reliquaries take the form of
churches. he original function of the late tenthcentury church-shaped reliquary of anastasios
the persian is disputed; the inscriptions suggest
it was originally an artophorion.118 other architectural reliquaries are either post-byzantine or
Western european, such as the 1613 kivotion from
Serres,119 or the domed reliquary now in berlin of
ca. 1175, which may have held the head of Gregory
of nazianzos.120 Does a byzantine church share
in the sanctity of its contents? in some instances,
such as at the Holy Sepulchre or Hagia Sophia,
the building came to be regarded as a relic in its
own right.
While relics certainly contributed to the construction of sacred space in byzantium, we can
ind almost no examples in which signiicant
deviations from the norm signal the presence of
relics. even though some standard features, such
as annexed chapels, lent themselves to the housing of venerated tombs, the same spaces could be
used for a variety of other commemorative purposes. in the byzantine iguration, architecture
117 S. Ćurčić and e. Hadjitryphonos, eds., Architecture as Icon:
Perception and Representation of Architecture in Byzantine Art
(new Haven, 2010).
W. b. r. Saunders, “he aachen reliquary of eustathius
Maleinus, 969–970,” DOP 36 (1982): 211–19; bagnoli et al.,
Treasures of Heaven, 55.
118
did not simply house holy objects, it symbolized
the sacred presence—in the words of Germanos
of Constantinople (d. 730), it represented “heaven
on earth.”121
but unlike the early Christian or western
european architectural settings or reliquaries,
the post-iconoclastic byzantine context rarely
allows us to experience a mnemonic relationship
between the relic and its container. he multitude
of accommodations that we have investigated
indicates that in byzantium relics were lexible.
hey were literal and symbolic constructs that
depended on their real or perceived value (for
example, a relic of the true Cross versus the body
of a local saint), the agenda of the owners, who
might want to advertise their possessions or, at
the other end, keep the relic safe from thet and
other calamities, as well as practical considerations, such as size and mobility. he materiality
of the saints’ presence inside the church, combined with their invocation during corporate acts
of worship, contributed to the construction of
sacred space. he saints’ simultaneous residence
on earth and in the City of God connected the
earthly to the heavenly congregation—the church
militant with the church triumphant. Just as the
church building provided a vision of “heaven
on earth,” relics created a foretaste of the communion of saints who, together with the living,
ofered worship to God. he byzantine faithful
anticipated experiencing both—the vision and
the foretaste—whenever they entered a church.
119 Ćurčić and Hadjitryphonos, Architecture as Icon, 194–95.
120 r. toman, ed., Romanesque: Architecture, Sculpture, Paint
ing (potsdam, 2007), 364–65.
172
St. Germanus of Constantinople, On the Divine Liturgy
(Crestwood, ny, 1984), 56.
121
Vasileios Marinis and Robert Ousterhout