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Sigma 18-35mm F1.8 Art DC HSM Lens for Canon, Black (210101)

4.7 4.7 out of 5 stars 3,360 ratings
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Canon
US Version

Purchase options and add-ons

Brand Sigma
Focal Length Description 18 to 35mm (35mm Equivalent: 28.8 to 56mm)
Lens Type Wide Angle
Compatible Mountings Canon EF-S
Camera Lens Description 35 millimetres

About this item

  • F1.8 maximum aperture
  • F16 minimum
  • Ring-type ultrasonic-type AF motor with full-time manual focusing, 72mm filter size
  • Minimum focusing distance 28 cm/ 11.0 in. USB Dock compatible, MC-11 compatible.
  • Available in Canon EF (EF-S), Sony Alpha (dot), Nikon f (DX) mounts
  • 0.23 optical Zoom
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Sigma 18-35mm F1.8 Art DC HSM Lens for Canon, Black (210101)
Sigma 18-35mm F1.8 Art DC HSM Lens for Canon, Black (210101)
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Price-21% $629.00
List:$799.00
$534.00$699.00$649.00-23% $695.00
List:$899.00
-6% $590.99
New Price:$629.00
Delivery
Get it as soon as Monday, Mar 18
Get it as soon as Monday, Mar 18
Get it as soon as Monday, Mar 18
Get it as soon as Monday, Mar 18
Customer Ratings
Auto focus
4.3
4.7
4.1
3.8
4.7
For portrait photography
4.5
4.4
4.8
4.2
Image stabilization
4.0
3.2
4.2
4.7
Picture quality
4.4
4.8
4.1
Sold By
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Amazon.com
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lens type
Wide Angle
Standard
Standard
Wide Angle
Wide Angle
zoom
compatible mountings
Canon EF-S
Sony E
Sigma SA
Nikon F
Canon EF
Canon EF, Canon EF-S
lens design
Zoom
Prime
Zoom
Zoom
Prime
Zoom
focus type
Auto Focus
Auto Focus
Auto Focus
Ring-type ultrasonic
Auto Focus
minimum focal length
18 millimeters
18 millimeters
18 millimeters
35 millimeters
18 millimeters
max focal length
35 millimeters
35 millimeters
35 millimeters
35 millimeters
35 millimeters
fixed focal length
1 millimeters
50 millimeters
35 millimeters
35 millimeters
35 millimeters
35 millimeters

From the manufacturer

Sigma 18-35mm F1.8 DC HSM | A Lens

The first and fastest of its kind

Truly a revolutionary product, the Sigma 18-35mm 1.8 DC HSM is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8. Designed specifically for APS-C sized sensors, the Sigma 18-35mm 1.8 translates to 27mm-52.5mm on 35mm camera. Tapping into Sigma’s long history of lens innovations, the 18-35mm 1.8 DC HSM incorporates a wide glass molded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle. Internal focusing and zooming allows for more usability and functionality. The 18-35mm is ideal for landscapes, portraits, still life, snap shots, casual, and close-ups and the Hyper Sonic Motor (HSM) ensures smooth, fast and accurate autofocusing. The use of Thermally Composite Material (TSC) reduces size and weight but increases the lens durability. Its new Global Vision design works with its compatibility with the Sigma USB dock for further customization. A 9 blade rounded diaphragm also creates beautiful background blur. The Sigma 18-35mm 1.8 DC HSM is a new benchmark in photographic history and a must have for every camera bag.

USB Dock Compatibility

Sigma has developed special software (SIGMA Optimization Pro) that can update the lens firmware and adjust parameters such as focus.

About Sigma

Since 1961, and with the recent introduction of Sigma Global Vision, we have worked toward one single, simple goal: To hold ourselves to the highest standard of design & manufacturing of imaging products. Photography is all we do. And it’s all we’ve done. So you can rest assured that it’s something we know extensively and care deeply about. You have a vision. We’ve made it our mission.

  • Great for video production. See below for a video made with the 18-35mm!
  • Unique. fast constant aperture zoom lens
  • Front & rear lens caps and lens hood is included with the lens.

Product information

Warranty & Support

Product Warranty: For warranty information about this product, please click here [PDF ]

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Sigma 18-35mm F1.8 Art DC HSM Lens for Canon, Black (210101)


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What's in the box

  • Lens
  • Looking for specific info?

    Product guides and documents

    Product Description

    First wide-angle to standard zoom lens to achieve a large aperture of 1.8 Due to the very shallow depth of field (DOF) of fast glass and focus variation between the cameras, users may experience focus shift and inconsistent AF. This can be fixed by using the AF fine tune ( For Nikon System) or AF Micro Adjustment( For Canon System) in the camera’s Menu to calibrate the lens to specific cameras. Also shooting at smaller aperture values will increase the DOF which reduces “focus issues” as the result of the variations and decreases the amount of fall of (Vignetting).

    Customer reviews

    4.7 out of 5 stars
    4.7 out of 5
    3,360 global ratings

    Customers say

    Customers like the depth of field, versatility, and quality of the camera lenses. They mention that the wide f1.8 aperture is awesome for bokeh, and the focal length is great for indoor use. They are also impressed with the build, saying that it does not feel cheap. Customers are also happy with performance, and value. However, some customers are mixed on weight and focus.

    AI-generated from the text of customer reviews

    256 customers mention237 positive19 negative

    Customers are impressed with the quality and sharpness of the photos from end to end. The build is exceptional, the zoom and focus rings are buttery smooth, and the lens does not feel cheap by any means. It has a very solid feel. It's a fantastic lens, and is amazing for almost everything.

    "...Its combination of quality, versatility, and affordability makes it a compelling choice for photographers of all levels...." Read more

    "...the center, but it actually is an "ARTSY" effect that looks VERY nice, and puts extra emphasis on the subject in the center, so GREAT for..." Read more

    "...It is not weather sealed, but seems robust otherwise.Because of the internal zoom and robustness, it is heavy...." Read more

    "...The build quality is great, as is its visual appearance. It's a professional-looking lens. And the feel in your hands is amazing...." Read more

    126 customers mention119 positive7 negative

    Customers are satisfied with the image quality of the lens. They mention that it is an excellent lens with really good picture and video quality, and that the edge to edge detail was phenomenal. It does very well shooting stills and is the sharpest, best clarity APS-C glass on the market.

    "...Exceptional Quality: The Sigma 18-35mm F1.8 lens provides crystal clear images with minimal chromatic aberration...." Read more

    "...BAD ASS LENS!! Does very well shooting stills too, although using an laea3 could definitely be better auto focus, and using the laea4 would cost..." Read more

    "...lens because of all the quality glass it carries, but the image quality will pay dividends...." Read more

    "...have enough experience to say it myself, but I can say the image quality is superb. It's sharp, and the bokeh at f1.8 is really nice...." Read more

    112 customers mention107 positive5 negative

    Customers are satisfied with the sharpness of the lens. They mention that it is a fantastic lens and is super sharp even wide open.

    "...The colors are vibrant, and the sharpness is top-notch...." Read more

    "...SO sharp, it's like looking through a WINDOW!..." Read more

    "...It's sharp, and the bokeh at f1.8 is really nice...." Read more

    "...and the small number of images I've captured with it appear good and sharp. When I open it up, the bokeh appears very nice as well.5...." Read more

    96 customers mention87 positive9 negative

    Customers are impressed with the performance of the lens. They say it performs exceptionally well during both photo and video, it's perfectly usable, and stops down only makes things even more impressive. Customers are also impressed with how well it functions like a prime lens, across a critical focal range, and has no issues. They also say it does everything they want and does it well. Customers also say that it works great in low light with the F1.8 aperture, and there's very little play.

    "...lives up to the "Art" in its name, enabling creativity and delivering exceptional results...." Read more

    "...this lens is not stabilized, and neither is the camera, BUT tripod duty does GREAT, and this has to be the most portable PRO 4K set up you could..." Read more

    "...it several times from standing height and have had no discernible performance issues...." Read more

    "I am absolutely enamored with this lens; it performs exceptionally well during both photo and video shoots...." Read more

    59 customers mention51 positive8 negative

    Customers like the value of the camera lenses. They say that the depth of field is amazing and it's worth the price. The build quality certainly fits the price tag.

    "...Affordable Price: Compared to other lenses with similar features, the Sigma 18-35mm F1.8 offers excellent value for money...." Read more

    "...My verdict is: it is worth it. The build quality is great, as is its visual appearance. It's a professional-looking lens...." Read more

    "...1. The price on this lens is great...." Read more

    "I can't believe I didn't purchase this earlier. The amount of bang for the buck is fantastic...." Read more

    56 customers mention49 positive7 negative

    Customers like the depth of field of the camera lens. They mention that it can achieve a quite narrow depth offield, it's versatile, and provides a nice normal range for the BMCC's 2.3 crop. They also appreciate the wide f1.8 aperture, which is awesome for bokeh and low light performance. The lens has a sharp across the field of view, and the zoom happens within the lens, so there's no external size. Customers are also impressed with the zoom ring, saying that it provides nice fluid zoom action.

    "...Versatile Focal Range: Covering a wide focal length of 18-35mm, this lens is adaptable to various shooting scenarios...." Read more

    "...Because of the internal zoom and robustness, it is heavy...." Read more

    "...First, the wide aperture at a wide angle, something that is hard to find even on primes, and second, the fact that is not a prime lens and allows..." Read more

    "...One thing that helps though is that it does not extend when zoomed...." Read more

    128 customers mention68 positive60 negative

    Customers are mixed about the focus of the camera lenses. Some mention that it focuses quick and no mottor noise, while others say that it has a real issue with the focus motor and that it can be a little slow. The lens hood clicks smoothly, but solidly in place, and fits.

    "...Perfect for Video: Many videographers swear by this lens too. Its smooth focusing and constant aperture across the zoom range make it an excellent..." Read more

    "...you would want to mess with, as trying to take stills using auto focus does NOT work, and that is an issue that makes me wish I had purchased the..." Read more

    "...Focus throws are nice and smooth and the build quality is robust...." Read more

    "...had the bad luck to get a copy of this lens that presents some issues with auto-focus...." Read more

    93 customers mention32 positive61 negative

    Customers are mixed about the weight of the lens. Some mention that it did not weigh too heavy, it's great for on the go, and the zoom ring is nicely weighted. Others say that it' s pretty heavy.

    "...Because of the internal zoom and robustness, it is heavy...." Read more

    "...camera, BUT tripod duty does GREAT, and this has to be the most portable PRO 4K set up you could possibly get, for an amateur level price, for..." Read more

    "...before purchasing it, like the fact that is not small, and is not lightweight." Read more

    "...The first thing is this is a large and heavy lens. I carried it on a k3ii at the state fair for a full day and was always aware that it was there...." Read more

    Sharpness of the image using an a6300 in 4K 30fps with metabones speed booster can't be beat for a wide ZOOM lens!!!  STUNNING!!
    5 Stars
    Sharpness of the image using an a6300 in 4K 30fps with metabones speed booster can't be beat for a wide ZOOM lens!!! STUNNING!!
    There's NO WAY there's a better video lens for the a6300 (if it is appropriate to use, meaning for being close up, or for wanting to be wide).WELL-- first let me state 2 things, first off, I am using the metabones speed booster adapter for Sony A mount to Sony E mount, and THIS set up sets this lens on FIRE, turning an F1.8 into an F1.3, which is the KING set up PERIOD. There's nothing like it, AND it's affordable.This lens is for APSC sensors, or APSC mode, not for full frame 35mm sensors.ALSO: Use of the metabones focal reducer (speed booster) is best suited for the cropped sensor version you get on the a6300 shooting in 4K at 30fps. When you try to use other modes, even 24fps 4K will cause vignetting on the lower range of focus, and some 18mm to 22mm will have vignetting.NEVERTHELESS--- go ahead and use it in 4K at 30fps, and THIS is just incredible what you get!! less than 2 meters from a subject, you can capture the entire room, and still zoom all the way in, and make your subject larger than life!!I just shot 2 days in the studio in North Carolina, and then an event the following day, all 3 days using this combo, (Sigma 18 35 with metabones speedbooster on a6300).I am certain auto focus is NOT something you would want to mess with, as trying to take stills using auto focus does NOT work, and that is an issue that makes me wish I had purchased the version of this Sigma 18 35 for CANON, and then the more expensive metabones adapter, but THEN be able to use the Sigma MC-11 adapter that is claiming native auto focus! (anyone tried that with VIDEO??)Me and my Dad can't believe what we just saw, even on our old 1080, 63 inch plasma TV, that was the most amazing footage of ANYTHING we have ever seen!! SO sharp, it's like looking through a WINDOW!The mics on the a6300 are WAY better than the a6000 now, and VERY decent, although of course not PRO audio grade.Don't EVEN question it if you are intending to shoot 4K with either the a6300, or using crop mode for your A7sii, and A7rii. For that matter, who has footage from an FS5 or FS7 using this Sigma lens and metabones speed booster?? THEN you could still keep zooming in!! THAT must be just out of control at F1.3!!ALSO-- this must be a monster low-light combo with the A7sii, which I will shoot next chance I get!!GOD!! I just wish I could include footage, but that would be a copyright issue to even send a link at this point, but YEAH, this is PRO grade stuff BY FAR in a VERY in-expensive package for some $2250, a6300/metabones speed-booster/Sigma 18mm to 35mm Art (and a tripod, this lens is not stabilized, and neither is the camera, BUT tripod duty does GREAT, and this has to be the most portable PRO 4K set up you could possibly get, for an amateur level price, for sure!!If you then get a Shogun or similar 4K recorder and monitor, YES, this is in FACT professional grade, although my Atomos Shogun Flame did not arrive in time for my event, forcing me to record internally, which I did with no overheating, and I managed just fine to NAIL focus. My eyes are perfect, but I did use the EVF, not the 3 inch LCD, which is borderline worthless, especially when using a wide lens.SO-- I will be keeping this a6300 in my bag with an A7sii, and A7rii, and of course, this lens is going to be used whenever possible just to get that shockingly SHARP image!!BAD ASS LENS!! Does very well shooting stills too, although using an laea3 could definitely be better auto focus, and using the laea4 would cost you the light you just added with the speed booster adapter.I was happiest using manual focus, and when zooming, it stayed "sharp as a tack", although it is softer on the edges than it is in the center, but it actually is an "ARTSY" effect that looks VERY nice, and puts extra emphasis on the subject in the center, so GREAT for shooting MUSIC events both in a studio environment, and concerts where you are either close, or want to get EVERYTHING in view, (or BOTH-- and then if you stick that on an FS5, you could keep zooming in from there!!) I'll be getting into an FS5 as well, especially now that I have several amazing E mount lenses and adapters.
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    Reviewed in the United States on July 30, 2023
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    Reviewed in the United States on June 23, 2016
    Style: SonySet: US VersionVerified Purchase
    Customer image
    5.0 out of 5 stars Sharpness of the image using an a6300 in 4K 30fps with metabones speed booster can't be beat for a wide ZOOM lens!!! STUNNING!!
    Reviewed in the United States on June 23, 2016
    There's NO WAY there's a better video lens for the a6300 (if it is appropriate to use, meaning for being close up, or for wanting to be wide).

    WELL-- first let me state 2 things, first off, I am using the metabones speed booster adapter for Sony A mount to Sony E mount, and THIS set up sets this lens on FIRE, turning an F1.8 into an F1.3, which is the KING set up PERIOD. There's nothing like it, AND it's affordable.

    This lens is for APSC sensors, or APSC mode, not for full frame 35mm sensors.

    ALSO: Use of the metabones focal reducer (speed booster) is best suited for the cropped sensor version you get on the a6300 shooting in 4K at 30fps. When you try to use other modes, even 24fps 4K will cause vignetting on the lower range of focus, and some 18mm to 22mm will have vignetting.

    NEVERTHELESS--- go ahead and use it in 4K at 30fps, and THIS is just incredible what you get!! less than 2 meters from a subject, you can capture the entire room, and still zoom all the way in, and make your subject larger than life!!

    I just shot 2 days in the studio in North Carolina, and then an event the following day, all 3 days using this combo, (Sigma 18 35 with metabones speedbooster on a6300).

    I am certain auto focus is NOT something you would want to mess with, as trying to take stills using auto focus does NOT work, and that is an issue that makes me wish I had purchased the version of this Sigma 18 35 for CANON, and then the more expensive metabones adapter, but THEN be able to use the Sigma MC-11 adapter that is claiming native auto focus! (anyone tried that with VIDEO??)

    Me and my Dad can't believe what we just saw, even on our old 1080, 63 inch plasma TV, that was the most amazing footage of ANYTHING we have ever seen!! SO sharp, it's like looking through a WINDOW!

    The mics on the a6300 are WAY better than the a6000 now, and VERY decent, although of course not PRO audio grade.

    Don't EVEN question it if you are intending to shoot 4K with either the a6300, or using crop mode for your A7sii, and A7rii. For that matter, who has footage from an FS5 or FS7 using this Sigma lens and metabones speed booster?? THEN you could still keep zooming in!! THAT must be just out of control at F1.3!!

    ALSO-- this must be a monster low-light combo with the A7sii, which I will shoot next chance I get!!

    GOD!! I just wish I could include footage, but that would be a copyright issue to even send a link at this point, but YEAH, this is PRO grade stuff BY FAR in a VERY in-expensive package for some $2250, a6300/metabones speed-booster/Sigma 18mm to 35mm Art (and a tripod, this lens is not stabilized, and neither is the camera, BUT tripod duty does GREAT, and this has to be the most portable PRO 4K set up you could possibly get, for an amateur level price, for sure!!

    If you then get a Shogun or similar 4K recorder and monitor, YES, this is in FACT professional grade, although my Atomos Shogun Flame did not arrive in time for my event, forcing me to record internally, which I did with no overheating, and I managed just fine to NAIL focus. My eyes are perfect, but I did use the EVF, not the 3 inch LCD, which is borderline worthless, especially when using a wide lens.

    SO-- I will be keeping this a6300 in my bag with an A7sii, and A7rii, and of course, this lens is going to be used whenever possible just to get that shockingly SHARP image!!

    BAD ASS LENS!! Does very well shooting stills too, although using an laea3 could definitely be better auto focus, and using the laea4 would cost you the light you just added with the speed booster adapter.

    I was happiest using manual focus, and when zooming, it stayed "sharp as a tack", although it is softer on the edges than it is in the center, but it actually is an "ARTSY" effect that looks VERY nice, and puts extra emphasis on the subject in the center, so GREAT for shooting MUSIC events both in a studio environment, and concerts where you are either close, or want to get EVERYTHING in view, (or BOTH-- and then if you stick that on an FS5, you could keep zooming in from there!!) I'll be getting into an FS5 as well, especially now that I have several amazing E mount lenses and adapters.
    Images in this review
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    Customer imageCustomer imageCustomer imageCustomer image
    8 people found this helpful
    Report
    Reviewed in the United States on June 7, 2023
    Style: CanonSet: US VersionVerified Purchase
    7 people found this helpful
    Report

    Top reviews from other countries

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    Renato Fernandes da Rocha
    5.0 out of 5 stars Ótimo vendedor, cumpriu tudo que foi anunciado inclusive pagou taxas alfandegárias que apareceram.
    Reviewed in Brazil on December 12, 2023
    Style: CanonSet: US VersionVerified Purchase
    Harv
    5.0 out of 5 stars Incredible
    Reviewed in Canada on December 30, 2022
    Style: CanonSet: US VersionVerified Purchase
    Customer image
    Harv
    5.0 out of 5 stars Incredible
    Reviewed in Canada on December 30, 2022
    Love this lens. With the f1.8 you can get shots in low light and love the image quality.
    This lens is built solid and comes with a lens hood. I have heard that some have had issues with the autofocus but no issues found hear. The AF is fast and accurate and I am using it on a Canon T7i with a crop sensor, I think this is the closest lens I have to a full frame result. Absolutely love it and would recommend it to anyone with a crop sensor camera. Thanks, Amazon, I looked all over for the best price and it was Amazon.
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    Mateusz
    5.0 out of 5 stars uwaga!
    Reviewed in Poland on May 23, 2023
    Style: CanonSet: US VersionVerified Purchase
    Jitanjan
    5.0 out of 5 stars Changed my whole level of photography
    Reviewed in India on July 6, 2022
    Style: NikonSet: US VersionVerified Purchase
    Maurizio Pizzigoni
    5.0 out of 5 stars Superlativo
    Reviewed in Italy on December 19, 2021
    Style: SigmaSet: US VersionVerified Purchase